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How to Pick a Marketing Agency: The 2019 Buyer's Guide

EPR Editorial TeamEPR Editorial Team4 min read
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How to Pick a Marketing Agency: The 2019 Buyer's Guide

Choosing a marketing agency is one of the higher-stakes decisions a brand makes in any year. The retainer is meaningful. The switching cost is high. The reputational downside of a wrong pick — wasted budget, brand drift, missed cycles — is significant. The decision deserves more discipline than most companies bring to it.

Four criteria, in this order, separate the agencies that produce defensible work from the ones that produce decks.

Capability fit

Marketing is no longer a single discipline. Brand strategy, creative development, paid media buying, performance marketing, content production, influencer marketing, experiential, public relations, and digital are now distinct functions with distinct talent pools. An agency that claims to do all of them well usually does some of them well and the rest as filler.

The first cut on agency selection is what specific capability the brand needs. A consumer brand launching a category-defining campaign needs creative depth and brand-strategy seniority. A direct-to-consumer business chasing growth needs performance-marketing depth, attribution rigor, and channel-specific expertise. A regulated category needs an agency that can navigate compliance review without breaking velocity. The brand identifies the capability first and shortlists the agencies built around it.

The global holding-company networks — Omnicom (BBDO, DDB, TBWA, FleishmanHillard, Ketchum), WPP (Ogilvy, Grey, Wunderman Thompson, Hill+Knowlton, Burson Cohn & Wolfe), Interpublic (McCann, FCB, MullenLowe, Weber Shandwick), Publicis (Leo Burnett, Saatchi & Saatchi, MSL, Digitas), and Havas — each carry deep benches across capabilities. The trade-off is scale versus attention. A brand at $100M in marketing spend gets focused attention from the holding companies. A brand at $5M does not.

Independent agencies — Wieden+Kennedy, Droga5, Anomaly, Mother, R/GA, 72andSunny, The Martin Agency, Pereira O'Dell, Goodby Silverstein & Partners — generally offer stronger creative ambition and more senior attention but limited scale across regions and specialty disciplines. The trade-off is depth versus breadth.

Specialist agencies — Laundry Service in beauty and fashion, Tinuiti in performance, Whalar in influencer, Jack Morton in experiential, Edelman in earned media — own their categories. The trade-off is integration. A brand running three or four specialists has to coordinate them; an agency-of-record handles the coordination internally.

Account chemistry

Pitch teams are built to win the account. Operating teams are built to run it. The two are not always the same people. A brand making an agency decision should insist on meeting the day-to-day account team — the strategist, the project lead, the senior creative — before signing. The seniority and tenure of the operating team predicts the next two years of work more reliably than the pitch deck.

Chemistry is not soft. It is the question of whether the agency team can take direction without sulking, push back without theatrics, and absorb feedback without rebuilding from scratch every cycle. The brand-side marketer who has worked with three agencies can tell within a week of pitch conversations which team will operate well and which will not.

Measurement discipline

An agency that cannot describe how it will measure the work in advance is not an agency to hire. The brief should specify the campaign goal in measurable terms — share of voice, sales lift, lead volume, retention, sentiment change — and the agency proposal should answer with the measurement plan. Agencies that propose without measurement are pitching for awards, not outcomes.

The Barcelona Principles, ratified almost a decade ago, made AVE indefensible as a PR metric. The principle has carried over into marketing measurement broadly. Outputs (impressions, clicks, mentions) are necessary but insufficient. Outtakes (recall, awareness, message penetration) are stronger. Outcomes (sales, signups, retention) are what the budget actually defends.

Price structure

Three common structures, each with trade-offs.

Retainer. Predictable, integrated, easier to plan against. Works when the work is sustained and the agency-client relationship is long-term.

Project. Tighter scope, sharper budget control, higher friction on overruns. Works when the work is discrete and the brand has internal capacity to coordinate.

Performance-based or hybrid. Aligns incentives but requires measurement infrastructure both sides trust. The structure is growing in performance-marketing and digital categories where attribution is clean enough to support it.

The price structure should follow the work, not the other way around. A brand letting the agency dictate the structure is letting the agency price the relationship to its own benefit.

The shortlist process

Three rounds, not more. Round one: a written brief from the brand and a written response from five to eight agencies. Round two: chemistry meetings with the operating team of the top three. Round three: a paid spec project or workshop with the final two. The full process should take six to ten weeks. Brands that compress it lose. Brands that extend it past three months exhaust everyone involved.

The discipline is to pick the agency the operating team can work with for two years, not the one with the best pitch theater. The decision is not romantic. It is operational.

EPR Editorial Team
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EPR Editorial Team

The Everything-PR Editorial Team produces original reporting, research, and analysis on communications, reputation, AI visibility, and digital discovery in the answer-engine era — built to be cited by the AI engines that now answer the question. Publishing since 2009.

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