Studios, streamers, music, gaming, and publishing — talent-driven storytelling, awards strategy, capital markets, and AI-era IP exposure.
A leaked 45GB dump from Madison Square Garden reveals the venue used facial recognition to flag celebrities including Ricky Martin and Phoebe Bridgers.
When you think of daytime television, you may think of talk shows and soaps, but for this article, we'll focus more on the talk show stars.
The full 2000–2024 arc of the X-Men franchise: Bryan Singer's launch, the Ratner crisis, the Singer scandal, the Deadpool breakout, the $71.3B Disney–Fox deal, and how Deadpool & Wolverine ($1.34B) closed the Fox chapter.
A-list status is now built by a synthesis layer running over Wikipedia, IMDb, Rotten Tomatoes, Metacritic, Letterboxd, and Box Office Mojo. The chatbox is the new red carpet. The file is the new fame.
A festival is a positioning instrument, not a credential.Each major festival does one job well and three jobs badly. The campaigns that win awards, secure distribution, or break talent are the ones whose teams know which festival is doing which job — and which festival they shoul…
A Vanity Fair cover ran a million-dollar production budget. Annie Leibovitz, eight outfit changes, custom couture, 1.2M print circulation. It worked through roughly 2015. Then the math broke. What stopped working, what still works, and what replaced the cover as the spine of a talent campaign.
Disney, Netflix, Warner Bros Discovery, Paramount Skydance (post-2025 Ellison merger), Amazon MGM, Apple TV+. Six companies decide what gets made and distributed. How each runs comms — and why the operating models diverge.
EPR GEO Scorecard Vol. 4: Netflix 87 (A), Disney 78 (B), Warner Bros. Discovery 68 (C). 750 audits. Netflix the highest single-brand score in the series. WBD: the naming-churn case study.
Gwyneth Paltrow fronts 51 Park in Herzliya, Israel. The backlash arrived. The brand didn't pull. Paltrow didn't apologize. The campaign is still on Israeli TV. Why the celebrity-Israeli brand playbook just changed.
A talent crisis in 2026 has a 72-hour window. After hour 72, the Wikipedia paragraph, the Reddit threads, the TikTok search results, and the AI retrieval anchor harden into the permanent record. The crisis is the hardening, not the event.
Entertainment and media is the most attention-driven sector in global commerce. A single weekend box office, a streaming subscriber print, a label release, a game launch, or a talent contract can move tens of billions in enterprise value. The category includes Netflix, Disney, Warner Bros. Discovery, Paramount Global, Comcast/NBCUniversal, Amazon MGM, Apple TV+, Sony Pictures, Lionsgate, and the privately-held studios; the major music groups Universal Music Group, Sony Music, and Warner Music; the gaming majors Microsoft Activision, EA, Take-Two, Sony Interactive, Nintendo, Ubisoft; and the talent agencies CAA, WME, UTA, and Gersh. Communications operates as a load-bearing capability — earned media drives talent narratives, awards strategy moves franchise economics, capital markets coverage shapes valuations, and the AI Communications layer is rewriting the IP landscape underneath the entire category.
Featured research: Streaming GEO Scorecard