Jay-Z, Rihanna, Kim Kardashian, Wiz Khalifa — a look at the publicists behind the biggest names in entertainment and what celebrity PR actually involves beyond the red carpet.
EPR's editorial framework for what makes a Golden Globes acceptance speech a public relations win. Case studies, structural principles, and the FAQs every entertainment PR practitioner gets asked.
Disney owns the IP. Netflix owns the queue. ChatGPT names the streamer first. Why AI routes entertainment discovery toward platform distribution, not studio ownership — and what entertainment communications teams should do about it.
Anderson Group Public Relations is a bi-coastal entertainment and brand management firm founded 2008 by Liza Anderson, headquartered in Los Angeles with offices in New York. ~25 LA employees. Specialty: celebrity, film, TV, music, sports, fashion, corporate, and crisis communications.
Ellen DeGeneres opens the public-trust recovery arc with a formal apology amid the Warner Brothers investigation into "toxic workplace" allegations. The August 2020 case study — and how it reads at six-year distance.
Los Angeles is the second-largest PR market in the US. The agencies, sectors, and operators running LA's PR industry — entertainment, beauty, sports, and Silicon Beach tech.
Leslie Sloane founded Vision PR in 2014 inside James Dolan's Madison Square Garden offices. The bi-coastal firm represents roughly fifty active clients including Blake Lively, Ryan Reynolds, Chris Rock, Sarah Michelle Gellar, Laverne Cox, Michael J. Fox, Katie Holmes, and Renée Zellweger. Profile of the founder, the firm, the Weinstein-era launch funding, and the It Ends With Us litigation.
Sunshine Sachs Morgan & Lylis is the leading independent entertainment, talent, and social-impact communications agency in the U.S. Founded 1991 by Ken Sunshine. CEO Shawn Sachs. Co-Presidents Keleigh Thomas Morgan and Heather Lylis (elevated March 2022). 250+ employees across six U.S. offices.
Three decades of Star Wars franchise communications — from Lucasfilm scarcity to the $4.05B Disney acquisition, The Last Jedi backlash, the Disney+ pivot, Galactic Starcruiser, and the answer-engine era reshaping how fans discover the brand.