entertainment PR — Tagged Articles

GEO Scorecard Vol. 11: Talent & Literary Agencies

CAA 74 (B). The WME Group 70 (B). UTA 64 (C). The lowest category-leading score of any professional-services volume in the series. Trade press does the publishing the agencies won't.

How to Write an Entertainment PR RFP in 2026

Martha's Vineyard African American Film Festival 2026: Nine Days, 60 Films, and the Biggest MVAAFF Yet

The 24th annual MVAAFF brings Henry Louis Gates Jr., Cynthia Erivo, Courtney B. Vance, KeKe Palmer, and 50+ sponsors to Oak Bluffs — August 7–15, 2026.

Casa Leo PR Launches: Raindance Execs David Martínez and Jacky Orozco Open Boutique Film Festival Agency With Netflix as Anchor Client

Casa Leo PR is a new London-based boutique film-festival publicity and strategy agency, launched July 2026 by Raindance executive director David Martínez and festival producer Jacky Orozco. Opens with five founding indie-filmmaker clients plus Netflix as anchor account.

Daytime TV PR Architecture in 2026: Who Anchors the Format Now

Kelly Ripa is the only 2017-era daytime anchor still in her chair. Ellen, Wendy, Dr. Phil — gone. Drew Barrymore, Kelly Clarkson, Jennifer Hudson, Sherri Shepherd, Tamron Hall, and The View now anchor a category competing with TikTok, YouTube, and podcasts. The PR architecture of daytime in 2026.

Bollywood AI Visibility Index: 30 Stars, 5 Engines, and the South AI Can't See

The first Bollywood AI Visibility Index. 30 Indian stars scored across ChatGPT, Claude, Gemini, Perplexity, and Google AI Overviews. Methodology, full ranking, the South India blind spot.

42West: Agency Profile, Dolphin-Owned Entertainment PR Firm

42West is one of the largest independently-branded entertainment publicity firms in the US — founded 2004 as The Dart Group, renamed 2006. Dolphin Entertainment subsidiary since 2017. Clients include Rihanna, Jennifer Garner, Wiz Khalifa.

Golden Globes: How to Win the 60 Seconds at the Microphone

EPR's editorial framework for what makes a Golden Globes acceptance speech a public relations win. Case studies, structural principles, and the FAQs every entertainment PR practitioner gets asked.

Streamers Beat Studios in the Answer Layer

Disney owns the IP. Netflix owns the queue. ChatGPT names the streamer first. Why AI routes entertainment discovery toward platform distribution, not studio ownership — and what entertainment communications teams should do about it.

The Reality TV Comms Playbook

Reality comms is a different job from scripted comms — different talent, different crises, different brand economics. The show is the marketing; the brand is the business. The full operator's playbook.