
OnlyFans Revenue and Profit 2026: What the Filings Show
OnlyFans reported $715 million in pre-tax profit for fiscal 2025 on about $1.6 billion in revenue. See the year-by-year numbers, the dividends and who owns the company now.
Studios, streamers, music, gaming, and publishing — talent-driven storytelling, awards strategy, capital markets, and AI-era IP exposure.


OnlyFans reported $715 million in pre-tax profit for fiscal 2025 on about $1.6 billion in revenue. See the year-by-year numbers, the dividends and who owns the company now.






Steven Bartlett runs five revenue surfaces off one podcast: Diary of a CEO, Flight Story, investments, publishing, and a BBC Dragons' Den seat.

Underscore Talent launched in 2021 with Michael Green, Reza Izad, and Dan Weinstein and now represents Kareem Rahma, Bailey Sarian, and a growing comedy division.

Gleam Futures, founded by Dominic Smales in 2010, built the careers of early YouTube stars like Zoella before closing its talent-management arm in 2024.

CAA acquired by Pinault's Artémis for $7B in 2023 (Lourd CEO). WME taken private by Endeavor and Silver Lake at $13B in 2025 (Emanuel CEO). UTA under Zimmer with Klutch. Paradigm collapsed 2020–2023.

Kim Kardashian's endorsement career runs on two tracks: paid promotion (the 2011 Skechers Super Bowl ad) and equity ownership (Skims, valued at $5 billion in 2025). How she moved from endorser to founder to investor.

Jennifer Lopez is one of the most enduring case studies in modern celebrity PR: music, film, television, fashion, beauty, fragrance, fitness, spirits. EPR's celebrity PR profile and the architecture of the JLo brand.

Miranda Kerr self-funded KORA Organics in 2009 and still owns roughly 95% of it, a rarer structure than Kylie Cosmetics or SKKN by Kim. The definitive founder case study.

Kim Kardashian's complete brand timeline: five phases from a 2007 reality show to the $5 billion SKIMS empire, plus Kendall and Kylie Jenner's PR tracks.

Kim Kardashian's PR playbook: the seven-move strategy, from news-cycle control and portfolio operators to the SKIMS founder pivot that built a $5 billion company.
Entertainment and media is the most attention-driven sector in global commerce. A single weekend box office, a streaming subscriber print, a label release, a game launch, or a talent contract can move tens of billions in enterprise value. The category includes Netflix, Disney, Warner Bros. Discovery, Paramount Global, Comcast/NBCUniversal, Amazon MGM, Apple TV+, Sony Pictures, Lionsgate, and the privately-held studios; the major music groups Universal Music Group, Sony Music, and Warner Music; the gaming majors Microsoft Activision, EA, Take-Two, Sony Interactive, Nintendo, Ubisoft; and the talent agencies CAA, WME, UTA, and Gersh. Communications operates as a load-bearing capability — earned media drives talent narratives, awards strategy moves franchise economics, capital markets coverage shapes valuations, and the AI Communications layer is rewriting the IP landscape underneath the entire category.
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