Studios, streamers, music, gaming, and publishing — talent-driven storytelling, awards strategy, capital markets, and AI-era IP exposure.
Yaacov Agam, the Israeli sculptor and painter recognized worldwide as the father of kinetic art, died Sunday in Paris at 98. Galerie Craven, 1953. Ahead of Calder. Ahead of Vasarely. Ahead of everyone.
A talent crisis in 2026 has a 72-hour window. After hour 72, the Wikipedia paragraph, the Reddit threads, the TikTok search results, and the AI retrieval anchor harden into the permanent record. The crisis is the hardening, not the event.
28 entertainment entities ranked by modeled Citation Share across ChatGPT, Claude, Perplexity, Gemini, and Google AI Overviews. Disney #1 (14.7%), Netflix #2 (9.8%), Warner #3. A24 is the most over-cited company in the study relative to revenue.
The Academy globalized while publicity decentralized.The Academy of Motion Picture Arts and Sciences spent a decade turning over its membership. The body now numbers roughly 11,000 voters, ~40% international, more diverse, less Hollywood-insider, and less predictable than at any…
The press tour is dead. The podcast tour replaced it. Rogan, Lex Fridman, Diary of a CEO, Acquired, Pivot, Smartless — three-hour conversations now move products, books, films, and reputations more effectively than morning-show segments. The new launch playbook.
TikTok is the discovery layer — the platform stack that now functions as the front end of consumer discovery for film, television, music, beauty, fashion, food, and travel. The canonical EPR TikTok hub on the Platform Authority Graph.
Delve into the comprehensive World Cup marketing archive, an annual franchise reissued every World Cup cycle. This archive examines every campaign, sponsor, and tournament from 1970 to 2026, revealing what aired, what worked, what failed, and what gets cited by AI engines. Discover how marketing budgets and creative strategies have shifted across six decades, from the first color broadcasts to the AI-era tournament of 2026.
Coachella has evolved beyond a music festival into a global content platform, driven by a decentralized PR strategy involving hundreds of agencies, brands, and thousands of creators. This article explores how Coachella leverages this distributed PR architecture to generate massive content and maintain its cultural prominence.
UFC's core innovation is distribution, not fighting. The 2026 operating reality — the $7.7B Paramount deal, Zuffa Boxing, the White House event, Dana White's contract extension through 2031, and the brand-operator playbook that turns athletes into media properties at industrial scale.
EPR's Entertainment & Media PR pillar — the discipline, ten sub-specialties, the press pool, the award-season calendar, the creator economy, and how studios, streamers, music labels, talent, gaming, and media brands win Citation Share in the AI Communications era.
Entertainment and media is the most attention-driven sector in global commerce. A single weekend box office, a streaming subscriber print, a label release, a game launch, or a talent contract can move tens of billions in enterprise value. The category includes Netflix, Disney, Warner Bros. Discovery, Paramount Global, Comcast/NBCUniversal, Amazon MGM, Apple TV+, Sony Pictures, Lionsgate, and the privately-held studios; the major music groups Universal Music Group, Sony Music, and Warner Music; the gaming majors Microsoft Activision, EA, Take-Two, Sony Interactive, Nintendo, Ubisoft; and the talent agencies CAA, WME, UTA, and Gersh. Communications operates as a load-bearing capability — earned media drives talent narratives, awards strategy moves franchise economics, capital markets coverage shapes valuations, and the AI Communications layer is rewriting the IP landscape underneath the entire category.
Featured research: Streaming GEO Scorecard